$250-$500 Archives

Showing 181–192 of 356 results

Razzia Louis Vuitton Classic Rockefeller Center 2000 original hand signed original lg
$ 550
Razzia Louis Vuitton Classic Rockefeller Center 2000 hand signed original (Gerard Courbouleix)

Artist: Razzia
Printer: Louis Vuitton
Size: 50.5 x 57.5 ” / 146 x 128.25 cm
On/Off Linen: Unlined
Print Technique: serigraph
Condition & Comments: Excellent on linen

Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.

Featured is the very famous Ferrari LM from the 1960’s

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Razzia Louis Vuitton Parc de Bagatelle 2002 Ford GT original hand signed original lg
$ 550
Razzia Louis Vuitton Classic Parc de Bagatelle 2002 Ford GT hand signed original (Gerard Courbouleix)

Artist: Razzia
Printer: Louis Vuitton
Size: 50.5 x 57.5 ” / 146 x 128.25 cm
On/Off Linen: Unlined
Print Technique: serigraph
Condition & Comments: Excellent on linen

Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.

Featured is the very famous Ford GT from the 1960’s

Read more
Razzia Louis Vuitton Parc de Bagatelle 2002 Ford GT original hand signed original sm
$ 375
Razzia Louis Vuitton Classic Parc de Bagatelle 2002 Ford GT hand signed original (Gerard Courbouleix)

Artist: Razzia
Printer: Louis Vuitton
Size: 24 x 32 ” / 61 x 81 cm
On/Off Linen: Unlined
Print Technique: serigraph
Condition & Comments: Excellent on linen

Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.

Featured is the very famous Ford GT from the 1960’s

The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.

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Razzia Louis Vuitton Bagatelle 1999 original original sm
$ 250
Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

Artist: Razzia
Printer: Louis Vuitton
Size: 20 x 30 ” / 51 x 76 cm
On/Off Linen: Unlined
Print Technique: serigraph

Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

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Razzia Louis Vuitton Bagatelle 1999 original original lg
$ 480
Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

Artist: Razzia
Printer: Louis Vuitton
Size: 45 x 60 ” / 114.3 x 152.4 cm
On/Off Linen: Unlined
Print Technique: serigraph

Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

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Imola Grand Prix – San Marino 1982, Michael Turner Poster
$ 250
Imola Grand Prix – San Marino 1982 Poster by Michael Turner

This is an original poster for the 2º Gran Premio di San Marino, held in 1982 at the legendary Autodromo Enzo e Dino Ferrari in Imola. Although officially named for the nearby Republic of San Marino, the race was staged at Imola, one of Formula 1’s most iconic circuits and closely associated with Ferrari.

The artwork is by Michael Turner, the renowned British motorsport illustrator celebrated from the 1960s through the 1980s for his dramatic depictions of Formula 1 and racing cars. Printed by Polografici, Bologna using offset lithography, the poster has been professionally mounted on linen for preservation.

The 1982 San Marino Grand Prix remains one of the most famous and controversial races in F1 history. Due to a political boycott, only 14 cars took the start, and the battle came down to the two Ferraris of Didier Pironi and Gilles Villeneuve. After apparent team orders to slow down, Villeneuve believed positions were fixed, but Pironi overtook in the closing laps to seize victory. Villeneuve, furious at what he considered a betrayal, vowed never to speak to Pironi again — a vow cut short by his tragic fatal accident just two weeks later at Zolder. Pironi’s win at Imola, with Villeneuve second and Michele Alboreto (Tyrrell-Ford) third, became one of the defining moments of the 1982 season, adding lasting historical weight to this poster.

Details
Artist: Michael Turner
Year: 1982
Event: 2º Gran Premio di San Marino (Imola Grand Prix)
Location: Autodromo Enzo e Dino Ferrari, Imola
Printer: Polografici, Bologna
Size: approx. 27.5 x 39 in / 70 x 100 cm
Print Technique: Offset Lithograph
On/Off Linen: On Linen (museum-quality backing)
Condition & Comments: Excellent condition. Clean surface, vivid colors, well-preserved.

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Crazy Horse de Paris 1981 by Razzia original
$ 395
Razzia Crazy Horse de Paris 1981 (Gerard Courbouleix)

Artist: Razzia
Printer: Caza, Paris
Size: 14 x 21 ” / 35.6 x 53.4 cm
On / Off Linen: Unlined
Print Technique: serigraph
Condition & Comments: Excellent

Razzia created this poster for the Jubilee show of 30 years celebrating 1951 to 1981. this is the original printing in serigraphy not a later printing rare. by Razzia

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Cinematheque Musee de l’affiche 1982 by Razzia original
$ 250
Cinémathèque (Museum of the Poster Paris) Razzia 1983

Poster Cinémathèque by Razzia (Gérard Courbouleix-Dénériaz), created in 1983 and printed in Paris by the Musée de l’Affiche as a fine art serigraph. The design was issued in recognition of the Cinémathèque Française, one of the world’s leading film archives and cultural institutions devoted to preserving and exhibiting the history of cinema.

Razzia (b. 1950) is regarded as the last contemporary poster artist to consistently use traditional lithographic and serigraphic printing methods. Known for his bold compositions and strong graphic language, he produced iconic posters for luxury brands, cultural events, and exhibitions, continuing the French tradition established by earlier masters of the affiche.

This serigraph measures 24 × 32 in. (61 × 81 cm) and remains in excellent “A” condition. The poster carries Razzia’s printed signature within the design.

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Artist: Razzia (Gérard Courbouleix-Dénériaz)
Title: Cinémathèque (Museum of the Poster Paris)
Date: 1983
Printer: Musée de l’Affiche, Paris
Size: 24 × 32 in. (61 × 81 cm)
Print Type: Serigraph
On Linen: —
Condition: Excellent “A” – Signed in the plate

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Paris Posters Musee de l’affiche 1982 by Razzia original
$ 250
Razzia Paris Posters (Gerard Courbouleix)

Artist: Razzia
Printer: Caza, Paris
Size: 24 x 32 ” / 61 x 81 cm
On / Off Linen: Unlined
Print Technique: serigraph
Year: 1982
Condition & Comments: Excellent

Paris Posters Publicitaire at the Museum of the poster in 1982 celebrating posters. this is the original printing in serigraphy not a later printing rare. by Razzia

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Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896
$ 250
Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

Artist: Cheret
Printer: Chaix Imprimerie, Paris
Size: 8.5 x 11.8 ” / 21.5 x 30 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A condition

Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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Carnaval 1894 Theatre de l’opera by Cheret for Les Affiches Illustrees
$ 385
Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894

Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.

The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.

Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.

Title: Carnaval 1894 – Théâtre de l’Opéra
Artist: Jules Chéret (1836–1932)
Date: c.1896 (after the original 1894 poster)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.

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Publicity for Musical Score for Les Affiches Etrangeres 1894
$ 175
Keynote SEries American Musical score poster for Les Affiches Etrangeres 1894

Artist: Anon
Printer: Chaix Imprimerie, Paris
Size: 9 x 12.5 ” / 22.8 x 30.5 cm
On / Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition

Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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