Showing 193–204 of 361 results

  • grand prix reims 1950

    1950 Grand Prix de Vitesse Automobile a Reims on linen by Van Dam

    $ 450

    Grand Prix de Reims – Van Dam, 1950, 16 x 24 in

    Description
    Poster designed by Van Dam for the Grand Prix de Vitesse Automobile, held at Reims, France, in 1950. The event took place at the Reims-Gueux circuit, which hosted major international races in the postwar period. This poster carries the title “Grand Prix de Vitesse Automobile – Reims” and includes Pastis 51 as a sponsor, a brand closely tied to French sporting promotions of the era.

    This version was printed by Harfort, Paris, in a small format measuring approximately 16 x 24 inches (40 x 60 cm). It was issued in 1950 to promote the event and is professionally mounted on linen.

    Artist: Van Dam
    Date: 1950
    Printer: Harfort, Paris
    Size: 16 x 24 inches (40 x 60 cm)
    Print Type: Lithograph
    Condition: Excellent “A,” on linen
    Comments: Original 1950 poster for the Grand Prix de Vitesse Automobile at Reims, with sponsor Pastis 51. Linen backed and preserved in excellent condition.

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  • Razzia Louis Vuitton Parc de Bagatelle 2002 Ford GT original hand signed original sm

    Razzia Louis Vuitton Parc de Bagatelle 2002 Ford GT original hand signed original sm

    $ 375

    Razzia Louis Vuitton Classic Parc de Bagatelle 2002 Ford GT hand signed original (Gerard Courbouleix)

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 24 x 32 ” / 61 x 81 cm
    On/Off Linen: Unlined
    Print Technique: serigraph
    Condition & Comments: Excellent on linen

    Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.

    Featured is the very famous Ford GT from the 1960’s

    The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.

     

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  • Razzia Louis Vuitton Bagatelle 1999 original original sm

    Razzia Louis Vuitton Bagatelle 1999 original original sm

    $ 250

    Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 20 x 30 ” / 51 x 76 cm
    On/Off Linen: Unlined
    Print Technique: serigraph

    Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

     

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  • Razzia Louis Vuitton Bagatelle 1999 original original lg

    Razzia Louis Vuitton Bagatelle 1999 original original lg

    $ 480

    Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 45 x 60 ” / 114.3 x 152.4 cm
    On/Off Linen: Unlined
    Print Technique: serigraph

    Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

     

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  • Imola Grand Prix – San Marino 1982, Michael Turner Poster

    Imola Grand Prix – San Marino 1982, Michael Turner Poster

    $ 250

    Imola Grand Prix – San Marino 1982 Poster by Michael Turner

    This is an original poster for the 2º Gran Premio di San Marino, held in 1982 at the legendary Autodromo Enzo e Dino Ferrari in Imola. Although officially named for the nearby Republic of San Marino, the race was staged at Imola, one of Formula 1’s most iconic circuits and closely associated with Ferrari.

    The artwork is by Michael Turner, the renowned British motorsport illustrator celebrated from the 1960s through the 1980s for his dramatic depictions of Formula 1 and racing cars. Printed by Polografici, Bologna using offset lithography, the poster has been professionally mounted on linen for preservation.

    The 1982 San Marino Grand Prix remains one of the most famous and controversial races in F1 history. Due to a political boycott, only 14 cars took the start, and the battle came down to the two Ferraris of Didier Pironi and Gilles Villeneuve. After apparent team orders to slow down, Villeneuve believed positions were fixed, but Pironi overtook in the closing laps to seize victory. Villeneuve, furious at what he considered a betrayal, vowed never to speak to Pironi again — a vow cut short by his tragic fatal accident just two weeks later at Zolder. Pironi’s win at Imola, with Villeneuve second and Michele Alboreto (Tyrrell-Ford) third, became one of the defining moments of the 1982 season, adding lasting historical weight to this poster.

    Details
    Artist: Michael Turner
    Year: 1982
    Event: 2º Gran Premio di San Marino (Imola Grand Prix)
    Location: Autodromo Enzo e Dino Ferrari, Imola
    Printer: Polografici, Bologna
    Size: approx. 27.5 x 39 in / 70 x 100 cm
    Print Technique: Offset Lithograph
    On/Off Linen: On Linen (museum-quality backing)
    Condition & Comments: Excellent condition. Clean surface, vivid colors, well-preserved.

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  • Crazy Horse de Paris 1981 by Razzia original

    Crazy Horse de Paris 1981 by Razzia original

    $ 395

    Razzia Crazy Horse de Paris 1981 (Gerard Courbouleix)

    Artist: Razzia
    Printer: Caza, Paris
    Size: 14 x 21 ” / 35.6 x 53.4 cm
    On / Off Linen: Unlined
    Print Technique: serigraph
    Condition & Comments: Excellent

    Razzia created this poster for the Jubilee show of 30 years celebrating 1951 to 1981. this is the original printing in serigraphy not a later printing rare. by Razzia 

     

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  • Cinematheque Musee de l'affiche 1982 by Razzia original

    Cinematheque Musee de l’affiche 1982 by Razzia original

    $ 250

    Cinémathèque (Museum of the Poster Paris) Razzia 1983

    Poster Cinémathèque by Razzia (Gérard Courbouleix-Dénériaz), created in 1983 and printed in Paris by the Musée de l’Affiche as a fine art serigraph. The design was issued in recognition of the Cinémathèque Française, one of the world’s leading film archives and cultural institutions devoted to preserving and exhibiting the history of cinema.

    Razzia (b. 1950) is regarded as the last contemporary poster artist to consistently use traditional lithographic and serigraphic printing methods. Known for his bold compositions and strong graphic language, he produced iconic posters for luxury brands, cultural events, and exhibitions, continuing the French tradition established by earlier masters of the affiche.

    This serigraph measures 24 × 32 in. (61 × 81 cm) and remains in excellent “A” condition. The poster carries Razzia’s printed signature within the design.

    ⸻

    Artist: Razzia (Gérard Courbouleix-Dénériaz)
    Title: Cinémathèque (Museum of the Poster Paris)
    Date: 1983
    Printer: Musée de l’Affiche, Paris
    Size: 24 × 32 in. (61 × 81 cm)
    Print Type: Serigraph
    On Linen: —
    Condition: Excellent “A” – Signed in the plate

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  • Paris Posters Musee de l'affiche 1982 by Razzia original

    Paris Posters Musee de l’affiche 1982 by Razzia original

    $ 250

    Paris Posters for the Museum of Publicity – Razzia (1982) Original Serigraph

    This poster was created in 1982 by the French artist Razzia for the Musée de la Publicité in Paris and printed by CAZA, Paris.

    It is an original first printing produced using traditional serigraphy (screen-printing). It is not a later reproduction or inkjet print. Later versions of this image exist that were produced using modern digital methods; this example predates those editions.

    The poster is guaranteed to be authentic. A Certificate of Authenticity can be provided upon request.

    Details

    Title: PARIS POSTERS
    Artist: Razzia
    Date:1982
    Printer:CAZA,Paris
    Size: 24 x 32 inches (61x81cm)
    PrintType: Original serigraph (screenprint)
    Condition: Excellent (A)

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  • Folies bergere l'arc en ciel by Cheret for Les Affiches Illustrees 1896

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    $ 250

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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  • Carnaval 1894 Theatre de l'opera by Cheret for Les Affiches Illustrees

    Carnaval 1894 Theatre de l’opera by Cheret for Les Affiches Illustrees

    $ 385

    Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.

    The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.

    Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.

    Title: Carnaval 1894 – Théâtre de l’Opéra
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original 1894 poster)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.

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  • Publicity for Musical Score for Les Affiches Etrangeres 1894

    Publicity for Musical Score for Les Affiches Etrangeres 1894

    $ 175

    Keynote SEries American Musical score poster for Les Affiches Etrangeres 1894

    Artist: Anon
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1897
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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  • Harpers by Penfield for Les Affiches Etrangeres 1894

    Harpers by Penfield for Les Affiches Etrangeres 1894

    $ 250

    Harpers by Penfield for Les Affiches Etrangeres 1894

    Artist: Penfield
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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