Poster made for Perrier in 1983 by Andy Warhol. The image was also made in white. Andy Warhols pop art images made in the 1980’s are icons of pop art today In the 1980s, Perrier, the renowned French sparkling water brand, commissioned Andy Warhol to create a series of artworks featuring their iconic green bottle. Warhol was already a global pop art superstar, known for elevating commercial products like Campbell’s Soup cans and Coca-Cola bottles into fine art.Warhol’s work for Perrier stands as a testament to his ability to elevate the everyday into something extraordinary.
Artist: Warhol, Printer: Wissous Paris Size: 23.75 x 17.75″ / 60 x 58.5 x 44.5 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1983 2nd printing Andy Warhol Perrier Red by Andy Warhol 1983
This original poster was produced for the 2003 exhibition “Super Warhol,” held at the Grimaldi Forum in Monte Carlo from July 16 to August 31. Curated by Germano Celant, the show was one of the most comprehensive Warhol retrospectives ever presented in Europe, highlighting the scale and cultural impact of his work. The exhibition featured over 150 pieces spanning painting, sculpture, film, and print, with particular emphasis on Warhol’s fascination with celebrity, repetition, and mass media. The image on this poster reproduces his 1980s work 40 Gold Marilyns, a shimmering grid of Marilyn Monroe portraits that underscores Warhol’s iconic treatment of fame and glamour.
Title SUPER WARHOL (40 Gold Marilyns)
Artist Andy Warhol
Date 2003
Printer Adagp Paris
Size 16 x 24 inches on linen
Print Type Offset Lithography
Condiiton Excellent “A”
Comments Original poster for an Exhibition at the Grimaldi Forum in Monte Carlo. The image is actually known as 40 Gold Marilyns.
Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Published in 1898 for the Paris art journal L’Estampe Moderne, this original stone lithograph by Henri-Gabriel Ibels portrays a theatrical pantomime scene, a subject closely tied to Ibels’ lifelong interest in popular entertainment and Parisian street culture. A founding member of the Nabis group and associate of Bonnard and Vuillard, Ibels combined simplified color areas and strong outlines to convey the expressive rhythm of modern life. Printed by F. Champenois and published by Masson & Piazza, the work bears the blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Pantomime
Artist: Henri-Gabriel Ibels (French, 1867–1936)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent; strong impression with light age toning consistent with the series
Comments: Issued as part of the L’Estampe Moderne portfolio (1897–1899), which featured monthly color lithographs by leading artists of the period.
Artist: Delatre Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Kacia by Delatre 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Artigue Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Albine by Artigue 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Artigue Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Albine by Artigue 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
French Loto – Mermaid Poster (1989) by Bernard Villemot
Designed in 1989 by the celebrated French poster artist Bernard Villemot (1911–1989), this original French advertising poster was created for the Loterie Nationale to promote its summer holiday drawing, offering a potential jackpot of 33 million francs. Villemot portrays a reclining mermaid with a numbered tail, lounging on a beach under a radiant sky—a witty, elegant image of chance and seaside leisure.
Printed by A. Karcher, Aubervilliers, this large-format work represents one of Villemot’s final poster designs, completed in the year of his passing. It exemplifies his hallmark blend of graphic simplicity, strong color, and visual charm that defined postwar French poster art.
Details
Artist: Bernard Villemot (1911–1989)
Title: French Loto – Mermaid Poster
Year: 1989
Printer: A. Karcher, Aubervilliers
Printing Technique: Offset lithograph
Size: 47 x 69 inches
Linen: Unlined
Condition: Excellent
Comments
Original 1989 French Loto poster by Bernard Villemot featuring a mermaid reclining on a beach, created for the national lottery’s holiday drawing. Printed by A. Karcher, Aubervilliers. Excellent condition, vivid color, and an iconic late example by Villemot.
Artist: Francis Jourdain Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Les cygnes by Francis Jourdain 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.
L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.
The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.
The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.
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Artist: A. Yank
Title: La Femme au Perroquet
Series: L’Estampe Moderne
Date: 1897–1899
Printer: Imprimerie Champenois, Paris
Size: 12 × 16 in. (30 × 40 cm) approx.
Print Type: Color Lithograph
Stamp: Dry stamp of Imprimerie Champenois
Condition: Excellent “A”